I’ve talked a couple of times about cube, but I wanted to take a few minutes and speak not to the cube I have, but the bizarre and strange off-color one I’m building because I enjoy it so much, and making these cubes, for me, may be more enjoyable than actually playing them. Maybe

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Every once in a while, I get to play a whole bunch of MTG, and its almost always an enjoyable experience. Over the past few weeks, I was able to get a bunch of different format games in One Draft, 3 Cube Drafts, a Commander game, and two sealed matches, ranging from Modern Horizons to Core 2020, and these games have a lot of cools stories – typical of Magic, right?

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When I first heard that Wizards was going to create a cross-brand product between MTG and D&D, I was curious about what they would do with it. Ravnica, when it was announced, had me pretty excited as it was my absolute favorite MTG setting. Now that I’ve had a chance to actually own it, read it and digest it, I think it may just be the best setting book published. Its simply awesome. Lets take a look at it, shall we?

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I like D&D. I like it very much, and it is one of the most enduring pastimes that I’ve had. Unlike nearly every other game or hobby I’ve had, I’ve never voluntarily put it on hold. I also like MTG very much. It’s a game that I can pick up and put down with relative ease, going to pre-release events and playing well enough every couple of months to feel good about playing. 

Well, I’ll be damned if they aren’t going to jam these two right together again with a new sourcebook for D&D – Guildmasters Guide to Ravnica

I cannot tell you how excited I am to get this into my hands! 

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I was fortunate enough to be able to make the midnight pre-release of the latest MTG set, Dragons of Tarkir, on Friday of last week. Its the first time I’ve played competitive MTG in a very long time. Its one of the games that I really enjoy both the theory and execution of, especially in its Limited Formats. I also play cube,  commander and Tiny Leaders, but Limited is definitely my favorite by a strong margin.

This set is fairly interesting, as its the end of a time travel storyline. In the first set, the Khans of Tarkir, we were in a wold that was void of dragons, having been killed out thousands of years ago. The world was ruled by three-color tribes and their Khans.The second set is Fate Reforged, and is set thousands of years earlier, prior to the dragons being destroyed. The main characters prevent the dragons from dying. The Third set, Dragons of Tarkir, is one in which the dragons now rules in two color pairs, their broods and progeny commanding the tribes.

It was a pretty basic storyline that everyone guessed as soon as the main character (Sarkahn Vol) and the plot concept (time travel) were announced. While I really liked Khans, I couldn’t get really riled up for Fate Reforged, but I was stoked for dragons, once I knew what they were going to do. This set had just piles of them, and I wanted in.

The Pre-release has been the same format since I’ve been  re-introduced to the game. You ally yourself with some faction or another, you get a faction-pack, chock full of cards for your colors or factions in order to enable playing your chosen faction, and then your other packs are split between whatever sets your playing. For Dragons, that meant 1 Fate reforged and 4 Dragons of Tarkir packs.

I had no idea what I was doing going in, outside from reading a single article from a friend. Red Green had traditionally been my favorite color pair, so I jumped in with them. I pulled a fair number of solid cards, with a significant quantity of creatures that I didn’t feel handicapped. This has a lot to do with me not going with blue this time, as I feel that I tend to undervalue their creatures. They aren’t big and bruisy, and they aren’t cheap, so I don’t get the instant thrill I do from the red and green creatures. I built a deck that was moderatly fast, topping out at 7 CMC and containing two big bomb dragons: Foe-Razer Regent and Destructor Dragon. I felt there was little need to splash in for the other dragon I pulled, Enduring Scalelord, as he needed +1/+1 counters, and I just wasn’t going to have any other than the Foe-Razer. I had some good black and white rares, but not enough to support them, I felt.

Rares:
Kolaghan’s Command
Dragonlord’s Prerogative
Mastery of the Unseen
Citadel Siege
Silumgar Assassin (x2)

With the green and red I had, I was able to feel pretty good with the curve of the cards I had. I didn’t have a ton of 1-drops but the 2’s and 3’s were plentiful, with the deck based around 4’s and 5’s. I had a couple 6’s and my one big nasty 7.

The First match I was supposed to have a bye, which is a terrible way to start your first MTG tournament in 3 months. Instead, one of the players dropped, and I was able to get in an actual match. I was paired up with a guy running B/R. This was an insane match. The first one I got ahead early but wasn’t really able to push my luck, he had just enough guys on board that I couldn’t push through his deathtouch dude without giving up board presence. Instead, the game stalled and stalled until I was finally able to grind him down and pull those last few life points off.

The second game went fairly similar, though he got the advantage early on and was able to punch through the early damage before we both stabilized the boards. His king of the game was his Rakshasa Gravecaller, was was fatter than anything I had at the time, and brought along buddies. Able to pop enough of my creatures to get his guys through, we moved on to game three.

Surprise, we grind to a halt here again. I manage to get a ton of damage through early on, before he can once again drop the Gravelord and start a terrifying cycle of card draw, pulling back his Palace Familar, and sacrificing it to his Vulturous Aven. Eventually, he’s sitting at 7, and I am at 19 when time is called, and our five turns just aren’t enough to decide the game. I put down a pair of creatures, but I still coudn’t hit the tipping point to win the game. I start the tournament 0-0-1.

Next up I face off against a very cheerfull fellow who was also playing G/R, and who seemed pretty knowledgeable about the game overall. Pleasant to play against, he had built a very similar deck to me. Big fattys dropped all throughout the match. This is where I learned that a 5/1, while hexproof, isn’t very good for attacking. He’s amazing for defending and stabilizing a board, as his ability to trade up is just.. phenomenal. His deck was bulit around Tormenting voice, which he seemed to have three of, and included at least two Dragon Fodders. These games Dash really showed its strength, with my Goblin Heelcutter and Sprinting Warbrute turning game one end over end, and his Zurgo Bellstriker making his name known on game 2. Once again, I took over game one, out fattying him and putting him on the back foot. He stabilized after killing my goblin heelcutter, but I was lucky enough to get back to back dragons on the board, forcing him to take 10 through the air each turn. Its hard to come back from that.

Game 2 he just ran through me, as my hand and cards refused to cooperate. Early Zurgo along with taking some of my creatures with Loose Calm enabled him to just drub me for game 2.

Game three once again hit time as we smashed our faces into each other once again. Thankfully, I was able to once again find both of my dragons, and on turn 2 of overtime, take him out through the air.

The last match of the night was against a 1-1 player who was playing Blue-White, and had a fairly aggravating set of cards: Battle Mastery, Glaring Aegis, and Graceblade Artisan. These cards were dropped over and over again with the likes of Pacifism and Encased in Ice. The first game I was able to eek through with a win once again on the back of Ainok Survivalist blowing up his enchantments, and the Dragon-Scarred Bear being able to Regenerate. I am extremely thankful that he wasn’t able to give the Artisan flying. I dropped the Foe-Razer and was able just to go over the top, something I am not really used to in green.

The second game I was just completely unable to answer his 7/10 doublestrike artisan, and he was able to just run roughshod over the game. Thankfully, that lead to the second game not going to time, as I was able to once again pull a double-dragon on him and punch through the air for the victory. ending up going 2-0-1 over the night, a very respectable showing, I do say, for not playing in 3 months.

I nabbed two packs, one for each of my victorious matches, and took home a ton of cards. All in all, a good day was had. I look forward to the next midnight prerelease!

Now, to go play some dragon age!

I recently was introduced to a new and completely insane format of MTG this weekend, and I think I may have fallen in love.

Tiny Leaders is a format of MTG that seeks to mimic the Commander feel and gameplay while also enabling competitive, one on one gameplay.  As someone who has very little time to play commander, yet still loves the format, I completely applaud this venture.

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Since I last talked about the cube back in September, my brother and I have been hard at work trying to improve it. It has been an extremely enlightening experience into the world of both game development and MTG set design.

Due to the way my brothers cube is built, it exudes much more of a limited set draft flavor than it otherwise would if it was constructed in the standard method of a singleton set. The interactions of the conspiracies with multiple copies of a card have really defined the way the draft is played, and its been a main focus of the cube since the start. I was extremely interested in how building a cube worked, and was thrilled when he wanted my input here and there. It is always going to be his cube, but I was glad to be of help wherever I could.

After our first few drafts, including a Saturday where my brother and I tried out a number of two player draft formats, it became clear that there were some problems with the cube. There were some cards that were consistently being left behind in favor of others, and there were cards that were completely dominating the set.

My brother had built the cube around some pretty solid archetypes, but even that wasn’t enough to topple a set of very good decks that were dominating the format:  Allies and  Graveyard Goodstuff. Both of those decks were nasty to play against because red had a ton of burn and white had awesome value in addition to the fantastic tribal and on the other side black had some really good graveyard manipulation and some big, giant, value fatties in green.

In addition to the two really good decks, the rest of the set seemed to develop into stalemates. early game would see one or two people break get some early damage in with aggro creatures, but after that it devolved into a massive wall of creatures set to lay into each other, but with few ways to break the deadlock, and most of them were in the two strong decks to begin with. had both Typhoid Rats and Deadly Recluse. This would lead to people avoiding going after the player because the trades were unfavorable, giving the deck time to pull out nasty big dudes and pull away. In contrast, had enough cheap, solid dudes that with its allies bonus and its body count it could eventually overwhelm an opponent. This was (is) further buffered by the Ondu Cleric, which, if played right, could net tons of life. Vigilance, which white has in abundance, is also extremely good when it comes to creature showdowns, as it allows you to have both offense and defense.

We could have tried to tone down the power of the two big powerhouses, but my brother felt it was a better path to go down increasing the synergy and power of the other decks, and I agreed heartily. I love crazy, insane, absurd games. There also was a decision to focus on building themes among the cube, archetypes that would be fairly obvious, build around type of decks.

Thankfully, Mark Rosewater is a very lucid, clear and explanatory MTG designer and has put out tons of fantastic articles on design, development and color concept. These principles gave us a starting point to kinda kick off from.

One of the things that he explained was the concept of “as fan” which is the amount of cards with certain features that will, on average, appear in a pack. its a simple formula that is based on the quantity of type of theme and rarity of that theme within a set. The article is here if you need/want more information, its very interesting to me.

We looked at a number of different themes, but quickly settled on enemy color pairs. This was a fairly easy choice because it allowed us to keep both of the powerful decks and gave us only three themes to build from the ground up.

We wanted fun, powerful cards that allowed us to have the same type of insanity that both Allies and Graveyard pulled off, but also fit the flavor of the card colors. Being an Izzet fan, I gravitated immediately to . From here it gets a little sketchy because we tried a multitude of different concepts. Suspend, Flashback and Slivers made brief appearances but were eventually rejected for a fun, simple and very Izzet theme: Spells Matter. In the mix with the good, solid spells that were offered in the spectrum, we added creatures like Jeskai Windscout, Goblin Electromancer and Guttersnipe. Not only were you going to be able to play awesome limited spells like Lightning Bolt, Think Twice and Assault Strobe, but you were going to get rewarded for it.

False Orders

While Strange, I think this card is great. Can’t wait to play it.

While we rejected Slivers for Izzet, I really liked the concept in . It really felt like the type of synergistic, evolving, growing beast that would be represented by the Simic colors. The original problem that I’d posed with the slivers was that they have inherently low toughness. Both colors supporsed some fantastic slivers, but they were easy to kill and never would be able to break through the wall of creatures the other side would definitely be building up. Don’t get me wrong, Red has some Slivers that are just massive, but only on the power side. Green, though, was the Sliver beef machine, and I argued that it better fit the design. Thus, we tackled the Sliver deck. In addition to the slivers in the primary green and blue colors, there were also going to be Slivers of other colors, and even a 5 color sliver hiding in there for good measure. This did mean that Slivers were going to be highly prolific, but it felt right, and I couldn’t argue with it. As that guy who loved playing M14 slivers, I just had to back the concept. The big problem that we are facing now is that the blue slivers just seem like too much. They have some fantastic abilities and are game changers, but are they going to blow out the games, we don’t know. Its definitely a place for playtesting.

Dude....

Dude….

Finally, we come to , the colors we struggled with for the longest time and simply ignored. While the other two color combinations took a ton of time to has out what cards were desired, what direction the theme should go, and what cards should be at what rarity, Orzhov took the longest so simply come up with a theme. It would have been easy to try and use extort or outlast, but we really wanted to come up with something that was a slightly different take on the standard bent of the color pair. What my brother ended up striking on was an enchantment matters theme, which allowed for us to branch out in a number of different ways, much like spells mattering. Interestingly, it also allowed us to seep tendrils of overlap into as well, with cards like Nighthowler and Sadistic Glee. Constellation looked like it would be a natural fit, but there were only a pair of cards that looked good at the end of the day, and they easily slid into the cube: Underworld Coinsmith and Grim Guardian. One thing I really wanted to press into the mold here that my brother had come up with was the prevention of the 2 for 1 in the vast majority of cases. Cards like Necromancer’s Magemark were high on my list to posit for consideration.

Vigilance!

Vigilance!

Now, with all the color pairs we were considering up and built, all we had to do was re-vamp the cube and get playing. Last night was the first time we were able to sit down and start card swapping, and we even got a pair of rounds in. 2 player drafting is a little strange, but we’ve started to get used to it. Each draft felt different, and we each won a round. He took the cake with a mean stuff deck, and I took the round with a 5 color Worldknit

What was different this time around was that we felt that we were concerned about the cards the other person was getting, and that every choice felt valid. Instead of just getting what you wanted and passing whatever else you didn’t like, it was a massive undertaking to pass up some of those cards.

I will say, I am looking forward to getting more games in with this cube and testing it out. It feels shockingly fun.

 

If you feel like giving it a go, draft it on Cubetutor and leave me any suggestions about the setup, execution and design. I don’t promise to heed them, but I will read them!

 

Last week, Corvus Belli worked together with Beasts of War to provide a sneak peak at the Infinity N3 rules that are on their way. I was able to gather up a few of them , but Friday proved to be the lions share of rules, going over Close Combat, Hacking and Weapons and Ammo, along with a two part battle report using a pile of the new rules. I spent last week talking about Infinity itself, and today, prompted by my experiences over the last few years, I want to ramble for a bit on the subject of edition changes within games.

It feels like, back when I was playing games as a younger man, that they never changed unless I wanted them too. Board games rarely changed, and D&D, at the time, was fairly stable. The first real change that I’d encountered was in MTG. While the sets pushed forward and added new and interesting events and cards, there was’t really a philosophical design change. The story followed the same characters, the same locations and felt almost eternal. With the end of The Weatherlight Saga and the departure from Dominaria, I felt betrayed, I felt lost. I didn’t want any part of this new game that had forced itself into the world that I had created for it. Now, with a changed world, new characters, and an inevitable change in philosophy upcoming, I snapped. I played the game at friends houses fairly regularly for a little bit, but the love had died off. I sold almost all my cards, keeping just a few here and there, and left the game.

during and after high school, I was also playing pen and pencil RPG’s, most notably D&D. My experience in MTG Still colored my opinions, and the change from 2nd to 3rd edition was one we did not embrace readily. It wasn’t until our group was introduced to the new edition by a friend who loved it deeply that we even gave it a shot, right before 3.5 came out. Again, we were convinced that the game we’d come to enjoy and love was being replaced with this foreign object that has the name and face of the game we still played, but the soul of it had changed, and the body had morphed into something wholly unrecognizable.

Shortly after my break with MTG, I was introduced to Warhammer 40K, a game that filled a similar void, that allowed me to nerd out with my friends and flexed my brain meat in methods that didn’t really get exercised with board games. I felt that I was making tactical and strategic decisions about the game on a scale that I’d not been able to with games like D&D. I spent and unknown amount of money and time on Warhammer. I poured many hours of creativity, thought and artistry into the hobby, eventually even getting a job at the local store and suckering in masses of people. Then, My first edition change with the game came, and man it was a doozy. I’d heard of the long ago days of Rogue Trader, and how it was a vastly different game and again the legends of the fabled Second Edition of the game, with complex and strange rules interactions. Now, Living in the age of Third edition, I was experiencing a toned down version of the game, streamlined to a basic, no frills game that allowed me to simply play. I’d built armies using all sorts of obscure and insane lists. Now, with the coming of fourth edition, I experienced something I’d never known before. Obsolescence. The army I had grown to love and enjoy playing the most, with which I had put tons of time and labor into converting and collecting, had been discontinued. This army was so specific I could never even pretend it was something different. I, as a player, had been tossed aside. I played the Fourth edition for a short time before being fired for Poisonous Thinking. Between being fired and having a favorite army discontinued, I’d quit Games Workshop games completely.

While I was playing these two games, I was also playing pen and pencil RPG’s, most notably D&D. My experience in MTG Still colored my opinions, and the change from 2nd to 3rd edition was one we did not embrace readily. It wasn’t until our group was introduced to the new edition by a friend who loved it deeply that we even gave it a shot, right before 3.5 came out.

 

While I was working at Games Workshop, I was introduced to this amazing miniatures game with a very different style of play than the one I was selling. A number of us all got into it at once. The game was over-the-top crazy! It has robots and undead and this new theme called Steampunk, with tokens and gadgets and all sorts of effects all over the field of play. The experience was as different from any wargame I’d played before or sense.  I’d fallen in love with a game in its first edition.

I hadn’t quite learned. I thought that FAQ’s and Errata would be enough to stem the tide of a new edition forever. I never thought there would be a day when the game would need to be looked at in such glaringly harsh light that it would need to be upended, rewritten, and brought back into line with what the creators and designers of the game really wanted. Inevitably, though, it happened. This time, though, was different from all the others. This time, there was an open, public beta test that gave us insight into how and why the changes were coming. This was the first I had heard of such things happening, and dove in deeply, submitting feedback and trying to balance a game myself.

This was a turning point in my understanding of how and why games go through changes. What had once been assumed to be an ever stable landscape of games, founded on a bedrock of impenetrable rules and infallible game designers was now show to be what it was. These games I played were created by gamers like myself and my friends, who had a great idea and decided to run with it. They would play-test it and enjoy it and hone it, but inevitably, mistakes would be made, loopholes would be left open, and strategies would be missed. Game design, especially now, is a quick turn around affair, with internal testing and outside playtesters doing their damnedest to try and iron out all the kinks and make a spectacular game.

But, as more and more gamers get a hold of a product, these seemingly small portions of the game that were missed become magnified and extrapolated. It is especially obvious in the United States, where the culture of taking any edge to win is so ingrained that we don’t even find it problematic. In general, Americans enjoy pushing the boundaries to win and enjoy pushing themselves to discover new and unintended loopholes and kinks that they can exploit to their benefit. This comes not just from our culture, it is almost who we are as gamers, brought up on video games and sports, where anything that isn’t explicitly called out is fair game. To take that a step further we were even encouraged to find that way around that lead us to victory. Built into Super Mario Brothers are the warp pipes that let us cheat out whole levels!

Many times, it is this wide exposure and popularity that leads to a streamlining and changing of a rules system. To some, this is the worst of the worst, and evidence that the game designers are pandering to the masses by making the game more palatable, more understandable, and easier to sell. While this sometimes may be true, I would instead counter with the fact that it is under this new weight of players that the game must be rebalanced. A player base is a much greater testing ground than anyone could possibly hope to achieve prior to release, and many times this player base will find and exploit a system in the rules that allows for victory at a much lower cost than one is used to. This is countered by a tactic or seldom used loophole, and the rabbit hole continues. After years of these cycles, the game is often at a point that no one could have ever intended when they launched the game or wrote the rules, and the change of edition is a come back home moment.

The big problem with players is that they have very little of that frame of reference, and even less of a problem with the problems in a game. Between a lack of perspective into game design and Edition Fatigue starting to lay thick, many people rile against the changes in edition not even as a necessary evil, but as a betrayal of trusts.

These changes never get easier, but these companies will never stop making them. In the last 5 years, I’ve seen D&D, Warmachine, Infinity, Malifaux, and Descent each change editions and rulebooks. Each release I have looked at with enjoyment, trepidation, excitement and anticipation. These events are going to happen, and if you think your playing in the final edition of a game, I envy your ability to look at the here and now without looking towards the future. Each of these games changed, sometimes in significant ways, from the edition that preceded them. Some, Like Malifaux, Warmachine, and the Most recent D&D, have changed for the better, adding and subtracting complexity and rules where needed. Descent and Infinity are, currently, mixed bags, with Descent going to far, and maybe infinity not going far enough.

I’ve found its best not to look at the game you love, the one you currently play, with rose colored glasses proclaiming it to be the best ever, but once an edition change is announced, take a critical look at the game your playing and see how it varies from what seems to be the goal of the game in the first book, and how it contrasts with its image from the outside. Take your time and try to get inside the head of the developers. Remember, they don’t want any model, unit, or rule to be a stinker. They want every option to be good, competitive, and worth considering. Every bad model they make is simply another model that they have to pay development, design and production to make that will very likely never, ever sell.

Well, perhaps until a new edition comes out. Then some of those scrap models will have life breathed into it once again, as I very much hope some of the Haqq models are this year.

 

 

 

A while back, I mentioned that my brother was making a MTG: Conspiracy cube.  A cube, for those like me who barely know any MTG parlance, is a pre-selected batch of singleton cards that  the owner of the cube has selected to create the draft style that they enjoy. Most cubes are power cubes: ones that ratchet up the speed and power of the game to 11, combining staples from all the constructed formats and turning them into a super-powerful Frankenstein of a draft. Another popular cube is the pauper cube, using only the best commons in order to create a very different type of powerful experience, though again they only have a single copy of any given card. These cubes enable people to draft wherever they happen to be with whoever they happen to have around, and have those people experience what the cubes owner loves most about draft.

To that effect, recently MTG came out with Conspiracy, their summer set that is generally about fun and noncompetitive games for us casual players. Feeding off of last years highly successful Modern Masters, a power-draft oriented set that brought a lot of out of print cards back, this years set was all about draft. For the first time, they included cards that interacted directly with the draft itself. These cards create some great affects that make drafting extremely interesting. Some of the

The cards range in effect from the Cogwork Librarian which allows you to trade a pick in your current pack, by picking him, for a pick in a future pack, where you return him to the draft. There are also cards like the Æther Searcher and Lurking Automaton that not when you picked them during the draft to make the best of their abilities. There is also my personal favorite, though its one that is hard to get correct, which allows you to trade all your future picks this pack for all the cards left in a given pack.

They also came out with a completely new card type, the Conspiracy. This card is colorless, manaless and essentially not part of the game at all. It sits to the side of the game, in the Command Zone, where they lurk to wreak havoc on your opponents and their plans. The Conspiracies are great fun to draft because they are cards of pure hope and strategy. If you get enough of the same ones to stack up, you can really turn a draft on its head. I managed to pull Brago’s Favor, Immediate Action and Muzzio’s Preparations all on the humble Highland Berserker.

All of this enables each draft and each game to be different. cheap, weak cards can become powerful, and slow powerful cards can become cheap, and every iteration in between. Its was a very cool concept that I was going to be unable to participate in.

Thankfully, my brother wanted to build a cube of Conspiracy cards and bring the joy of the Conspiracy draft to others! This was fantastic news to me, and when asked for help, I did everything I could to assist. It probably amounted to nothing, because I don’t know many cards, but it was fun to talk about broad spectrum theories. One of the things that was going to differentiate this from most cubes was that this was not going to be singleton. This cube, due to the nature of many of the conspiracy cards, would need to have multiples of a number of cards just to get the desired flow of the draft.

It ended up being a ton of fun, as I’ve now drafted it four times, and each time felt like a success. The first time through felt a little complex,but the second time felt really smooth. I drafted it more for archetype, too, testing out whether each color pair feels unique. The deck I played was extremely aggressive and topped out at 5 cmc. It was the kind of deck I really liked, but I sabotaged it on my own by including cards that slowed down my aggression to try and temp. The second draft was a allies deck and man that thing shot out of the gate. I was able to build up a massive life total of something along the lines of 53 life and was able just to outlast almost everyone, including casting Rout at an opportune time to be able to capitalize and move into the endgame.

This Alternate draft experience has been extremely enjoyable, and its one I’d want to repeat as often as possible, and I think that the capabilities of the cube-like format is really awesome and worth exploring, including leading it towards my favorite type of MTG to play: Flavor-based.

I am a sucker for a good, fun theme, and the Ravnica theme is just fantastic. I love the flavor that it gives each pair of colors and the thought process that is used for each one in order to try and win, and I love building themed decks during draft.

I’ve thought about trying to make a Cubnica before, but I didn’t know how successful it could be. With the Conspiricube being a whole pot full of fun, I think that one based on the flavor and style of the Ravnican plane would just be a blast. It is going to be extremely hard, though, as there are more than 700 cards out there that are watermarked as guild cards, and that doesn’t count lands and artifacts. Most cubes hit 360 cards (the total of a cubes interior angles is 360, hence Cube) for that 8 player experience. 700 is just extremely large and could really dilute the flavor of the guilds.

Instead, I am going to have to focus on how to make the important cards in the guilds, the Guild Leaders, Champions, and Runners, work within the context of the draft. I also want each of the individual decks that were viable in both Return to Ravnica Block and the Original Ravnica Block to have their place to shine.

I am currently torn between wanting to have a non-singleton deck that is much more watered down but consistent or a singleton, traditional cube that is more flavorful but less consistent and able to carry each guild. I know I want to use the guild cycles, and that I want to include guildless, good cards, but I don’t really even know where to start. While I can’t put a ton of time into building it right now, the time will come soon where I’ll be talking about the epic failures of my first cube and how to make it better!

 

 

These last few weeks since NOVA have been killer. I’ve not had the motivation, opportunity or drive to really get into a whole lot of gaming, and I think its creating an even further slump that continues to drive downward.

What I have done, I’ve not really been doing in detail, so I’m just going to rattle over some high-view stuff on what I’ve been up to, and what I am considering doing.

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